I started designing games in January 2013! This is a list of games that I’ve made in reverse-chronological order.
Some of my incomplete prototypes include a board game called “Pravda” about the Russian Olympics, the “Magical Girl Olympics” game, “Selfie Game: The Movie: The Game: Song of My Selfie“, and “Last“, a sound toy/conversation toy about relationships.
IN ACTIVE DEVELOPMENT OR PLAYTESTING
Fall/Winter 2018-2019: I am currently working on a game using near-field communication about time travel and being trans. The codename for this project is “Traces.” I will be seeking playtesters. If you are interested in being a part of my list of playtesters, check out my mailing list!
* I am working on a d20-based narrative and role playing game based on the structure of a community radio show episode. It is a collaboration with Michael J. Marcotte, tentatively titled “ICOSAHEDRAL: A Game of Twenty-Sided Stories” and currently in early playtesting.
* GAMERella 2018: In collaboration with narF and Catherine (a brand new gamemaker), I made TAMAGAMEWORKER, a game about trying to balance work with staying happy and healthy. For this game, I made most of the art assets and the (very annoying game jam-y music), did all of the programming (but narF did the systems balancing), and helped mentor Catherine through the game writing and other aspects of the project!
* Spring 2018: I designed but have yet to playtest a nanolarp called “Queer Sleepover Witching Hour“.
* Summer 2018: I have finished my first dissertation game project, a physical-digital hybrid game called Flip the Script!
* Global Game Jam 2018: I made a game with queer, trans themes with Dietrich Squinkifer called transgalactica: A Tune Your Own Adventure
* In December 2017, I released a nanolarp called This Just In!
* In November 2017, I released a digital edition of The Truly Terrific Traveling Troubleshooter.
* Fall 2017: I made a game called #nofilter during GAMERella along with Dietrich Squinkifer, Serena Fisher, and Diana Lazzaro.
* April 2017: I made this little plant-themed poetry toy using Kate Compton’s Tracery library during the week-long ZU-TAG Workshop – check it out here.
* Spring 2017: I made a game in a suitcase with Dietrich Squinkifer called The Truly Terrific Travelling Troubleshooter.
* Fall 2016 Classwork: For my Player Studies class, I designed a game for my spouse which you can join in on here called “The Riddle Promenade.” It’s a Riddle Photography game.
* GAMERella 2016: Dietrich Squinkifer, Sarah Fay Girard and I teamed up to make a game called “OPPRESSION OLYMPICS 2K16“…which is almost exactly what it sounds like. It’s a multiplayer game, so grab some friends/enemies/bystanders/etc.
* Summer 2016: DRIFT, a week-long creative workshop about Woyzeck, a play about a man who is hired by a doctor to eat only peas and who is going mad as a result. Our session (which was one of many) took place simultaneously in London and Montreal. I participated in Montreal, where our creative output was around eight distinct projects related to one another and working from the same source material. In particular, I spent a lot of time making a mod of Operation (the board game) in collaboration with (well, everyone there but in particular) Tony Higuchi.
* Winter 2016 classwork: I made two game prototypes. Earth Twin (a game about chatting with your doppelganger from Kepler) and ONE MONTH IN THE LIFE (a game about what it was like in the month leading up to my partner leaving for RCMP training and how cats are oblivious to human drama).
* Global Game Jam 2016: “Most Sincere Greetings, Esteemed One” – I teamed up with Dietrich Squinkifer, an awesome game designer and friend, and we quickly settled on a performative game about the rituals of greeting called, “Most Sincere Greetings, Esteemed One.” You can watch a gameplay video , or play an adapted version without all the props in your browser.
* Christmas 2015: “The Real Magical Girls of Collingwood”, a Fiasco playset that you can download here Real_Magical_Girls_of_Collingwood. It was a Christmas present for our friend Allison Cole.
* Fall 2015 classwork: I made three game prototypes: Cultural Ambassadors (a failed game about defamiliarizing the act of shooting), Rita Hayworth Isn’t In This Game (a Brechtian retelling of the end of The Shawshank Redemption), and Lone Wolf Commando Assault (a game about subverting genre expectations in the design of digital spaces).
* GAMERella 2014: Allison Cole and I adopted Myriam Obin, a first-time gamemaker and jammer (and award-winning animator!) with whom we made “Seventy-Eight,” a game about deliberately being mediocre to please a system. The title is a reference to pay imbalances across genders. You can play it here. This game marks a big first for me: although I’ve programmed games for myself, this is the first time that I was the lead programmer in a team.
* Critical Hit Prejam 2014: solo game called Apple Rumble featuring mutant apples duking it out in a refrigerator, which I have just put up online on itch.io.
* Global Game Jam 2014: “FishSport: A Sport for Fish” with Jana Sloan van Geest, Nick Kornek, with music from my brother Michael Marcotte.
* December 2013 DTGMA: “A Fistful of Wizards” with Jana Sloan van Geest and Nick Kornek.
* GAMERella 2013: “Eat Dirt!” with Nick Kornek and Jana Sloan van Geest! You can download it on the TAG site.
* Spring 2013: “Nitrogen Narcosis”! It’s a game with user-enforced rules that you are supposed to actually, in real life, wear Scuba Diving gear to play. The internet (Kongregate users) hates it, but it was very well-received in the context of its creation, which was for Pippin Barr’s Curious Games Studio. It was a games’ course about making games that “tease rather than please” and other quite interesting criteria about what games can be like when we’re not just looking to give the player instant gratification.
* Pixelles Incubator 2013: “Diver Quest”, the first game I made all by my lonesome. I’m glad that it exists but it also shows me how much I learned in a very short period of time.
* Global Game Jam 2013: “Legacy,” for GGJ2013. I was a part of a team of five that included Charlotte, who I would go on to make “Assembling Rosie” with!