3D printed sculpture from Morehshin Allahyari’s Dark Matter series
Last week I had the pleasure of travelling to Chicago to represent TAG at the College Art Association’s annual conference, a sprawling affair comprising tens of simultaneous panels and events distributed across the huge and sterile cod-Napoleonic ballrooms of the Hilton, each home to a particular subsubspecies of art historian specializing in, say, the manufacture of pigments in Early Modern Flanders or what Robert Smithson was reading …